style

His style in painting is “combined realism “, realism which is basically the restoration of separate realities which together seem “realism “, whereas what is seen does not materially exit, and in order to express a message, it makes use of realities which do not sometimes exist in the material world, or if they exist separately, they cannot integrate into a whole identity. Some of his portraits are a combination of the elements of different individuals’ countenance with various characteristics and morals intentionally selected by him to transmit his intended message in order to induce features hidden in his personage's morals.
He primarily conceptualizes an event or a social phenomenon. A message germinates in him and is manifested in the shape of a portrayal expression. All the components, elements, personages and colors are then consciously designed. The transmission of that message portrayal expression is sometimes accompanied with research and investigation on the subject.
If an object is imaginative or does not basically exit in his conceptualization (mental design), he will order its manufacture and views the set of those components and elements in different forms and at different angles to arrive at his ideal form and angle and grant his sense of aesthetics his optimal formalism.
He will then create his pencil pattern and transfers it onto the main text. Formalism is for him the taking of the best and the fittest elements, components and personages and putting them in the most appropriate work place. He produces types and offers social purports in his works.